The economics of selling your book

The economics of selling your book

It’s the dream for most authors to profit from the sales of their book.

Choosing the self-publishing route may make this seem like a daunting task, but through proper self-marketing and passion for your book it can be achieved.

Self-published authors take control of their sales and can sell their own books themselves. This is called self-selling. If you self-sell, you get the most profit from the sales of your books as you cut out the retailer’s margin. You can self-sell through avenues such as author websites, your personal business, on social media marketplaces, or through author events like launches and readings. Self-published authors can also easily sell through bookstores—both online and brick-and-mortar—by enabling their books for online distribution and pitching to bookstores to stock their books.

On the other hand, traditional book publishing companies will take your book under stringent legal conditions, then print and distribute your work through the industry’s established channels, including retail stores and online outlets. For all your hard work as the author, you might only get a small percentage (royalty) of the retail price.

So, how much more could you be making if you self-publish rather than using a traditional publisher? Have a look at the figures below:

If you get royalties through a traditional publishing deal:

  • Print cost: $4.95
  • Retail price: $14.99
  • Your profit: 74 cents

 

If you self-sell:

  • Print cost: $4.95
  • Retail price: $14.99
  • Your profit: $10.04

There’s a huge difference, as you can see. If you sell 200 copies of your book as a self-published author you can breakeven with your production costs, leaving any extra sales as pure profit.

The key to success when marketing as a self-published author is your network. Personal and author dedicated social media profiles are an excellent place to start. If you are a trainer, public speaker, consultant, or have any sort of profile within your potential readership target, you also have the capability of selling hundreds and hundreds of copies of your book at events, meetings, and seminars.

Green Hill can also help you out with marketing. We can write professional press releases, create stunning graphics, organise reviewers, and give you advice on how to best market your book. If this interests you, head over to our Marketing your book page to read more and get in touch!

What 99.9% of authors don’t know.

What 99.9% of authors don’t know.

​Why I see so many good authors fail.

Book publishing is a creative pursuit. Writing a book is creative. Designing a book cover is creative. Marketing a book is creative. Or is it?

Book publishing is like construction.

Architect Jørn Utzon designed the Sydney Opera House. He used his creativity but within a constraining framework of physical laws. He designed the Opera House making sure it could withstand weather conditions, suited the geology and would not collapse under its own weight. In other words he couldn’t ignore the laws of the environment, geological realties and the law of gravity. These laws are immutable – these laws are rooted in science.

When you enter the Sydney Opera House you certainly don’t feel its about to collapse. It’s a great experience.

The laws of successful book publishing.

New authors who come to me wanting to self-publish know little about what I call the immutable laws of publishing. Full knowledge and understanding of these laws takes many years. I’ve leaned some of these by trial and error (a tough way to learn). And some by being mentored by some of the best in the business.

Unfortunately many authors focus on their creative prowess while at the same time being completely ignorant of the science of book publishing.

Here are just a couple of these laws that I will then summarize in a single mega-law.

Law No. 1  Design a book cover for the market not for the author. Books that fail often do so because of a poor cover design. Poor cover designs are usually dictated – often in fine-grain detail – by the author (who might be publishing their first ever book). Green Hill’s lead designer has personally designed almost 1,000 books – does she understand the law of book cover design? Yes, she certainly does.

Law No. 2 Editing is important. This is very similar to Law No. 1. While writing is a creative pursuit, an experienced editor will use their skill and experience to make the manuscript better (in many cases superior). Authors often break this rule pushing-back on the editor with “I don’t want my writing changed” or the old classic “you’ve removed my voice”.  There are immutable laws of good writing including structure and grammar that when violated are done at the author’s peril.

The mega law Successful book publishing is both art and science.

If you are a new author leave the science to the publisher and their staff i.e. book designers, book editors and book marketers. These professionals will approach the publishing of your book based on their hard won knowledge of the science shaped by empirical evidence. Publishing a good book is much about science.

Understand the ‘mega-law’ – only then will you improve the chance of your book’s success!

David Walters

Director, Green Hill Publishing

How do you define your story?

How do you define your story?

Looking at a blank book

Photo by John Schnobrich on Unsplash

How do you define your story? A surprising number of authors find it difficult to answer that simple question, but whatever your genre or form it’s an important question to know the answer to.

So, how do you go about doing this and doing it right? How an author defines their story varies of course, but knowing the following is a good place to start:

Your genre

Getting this right will give potential readers – and your designer – a launching point for understanding your book. By assigning it to a genre, you group your story in with others they may know, allowing them to immediately get a feel for your book.

Your book may fall under more than one genre, but you should limit it to no more than two. Focus on the overarching themes of your story to pick out which genre/s fit your story the most.

Woman of colour reading on a sofa with bookshelves in background

Photo by Seven Shooter on Unsplash

Who you’re writing for

Stating your intended readership is much like stating your genre – there are pre-assigned notions with media intended for certain audiences that give people an idea of your book by associating them with others.

A book written for children is different from one targeted at young adult (YA) audiences, and different again from the adult market. There is a standard of content to uphold in each of these readerships and all are unique onto their own.

Who your main characters are

This doesn’t have to be a detailed recount of their tragic backstories, or a comprehensive description of what they look like. Choose a few of their defining features that characterise them the most.

Fantasy forest at sunrise

Photo by Casey Horner on Unsplash

Where your story takes place

Is your book set in the primary world? The secondary? Is it a recognisable location like London or Dubai, or have you set yours in a more localised or rural area? Is it completely the same as our world, or does it have a mystical/technological twist? Does everything take place on a different planet, even? This should be the easiest question to answer if you’ve already done the worldbuilding for your story.

What your main problem/theme is

In fiction, this would be the main issue that your characters are trying to resolve and the thing/s stopping them from doing so. Are they having to repair their skip but are stuck on a desolate planet with little supplies and no form of contact with the outside world? Are they woefully underprepared children of prophecy, but the evil is looming and everything coming to a head?

In non-fiction this could look like the main point that you are trying to get across. If your story is about a person’s life, is it a story of resilience in the face of hardship? A tale of pioneering success?

 

Some stories are hard to sum up in a single sentence. For your publishing team and potential readers to understand your work and get excited about it, however, you need to be able to answer the question ‘what is your story?’ as comprehensively as possible.